I am settling into my new place and my new life in it. As I intended it has opened up a whole new phase of creativity for me. I wrote a short story, I am blogging for Hürriyet Daily News, I am working on two short, funny pieces and I am trying to figure out where to invest my creative energies. I love the feeling of mastery I get when I write a short story – the architecture, the voice, the subtext, the telling of something true economically as possible. I have always loved the short form. But it is also an intense experience – like holding the reins of wild horses as I did when I wrote the last 1,000 words of my latest one. And afterwards I am out of it, usually for a few days, as if I just need to rest from that journey.
My shorter, occasional blog pieces are easier and gentler to write. I enjoy them, but there is no distinct feeling of power and control that comes from within a short, literary piece, which may be a good thing because I certainly don’t have the stamina for that all the time.
I know I am very lucky – and I am grateful to be able to slip in and out of different forms and styles easily. I also think I am more or less at the same level within each of the forms (maybe my poetry needs some more crazy, experimental musicality and life experience, but I have planted that in the back of my subconscious and am just waiting for it to go B(l)oom!)
So, at the moment I am contemplating an easy, breezy longer narrative (no architecture, just one straight road beginning to end), with one easy, breezy voice (best friend kind of funny) with lots of sex, because as we all know, sex sells.
Here is a clip from one of my all-time favorite movies – that almost perfectly meshes social commentary with comedy. Our hero “Sully” is a Hollywood director who wants to make an earnest movie about America’s social problems – and his studio bosses’ response.
[Sullivan's Travels is arguably writer/director Preston Sturges’ most important film. I highly recommend it along with my other favorite, The Great McGinty.]